Making the Rules Together

As school has come back into session, I’ve noticed that the teachers are asking the kids to take part in setting the ground rules. I love this idea. I think we can all remember as kids what it felt like to be “bossed around,” and to not be in control of our lives. I can’t say those times were fun for me. It even made me want to misbehave because I wanted to have a say in how I would live my life.

I’ve taken that notion forward with me into adulthood. I find that people of all ages, everywhere, want to feel like they’re in control. I’ve learned to make my goals known, and let people figure out how they might be able to help me reach them. This is one of the ways I’ve been able to have so much fun with kids in photography. I let them know that I have plans to take their picture, and I ask them to help me come up with a way for us both to have fun in the process.

I remember during one session, a little boy I was working with decided he wanted to go to the basement of his house. I could tell he was trying to be difficult because he didn’t really want to have his picture taken. His mom and I had planned on outdoor pictures, but there was time to be flexible with him, so I decided to go with it and give him some control. I asked him what was in the basement, and discovered that it was full of toys. So, I grabbed a light, followed him down the stairs, and lo and behold we came out of that basement with some of my favorite pictures from that year! Later, we had a chance to head out to their back yard for more pictures, and everyone was happy.

Listening to children and giving them a little bit of control can be a great way to get them to relax and share their spirit with you. Do this when your camera is out, and the difference in your pictures will really shine through.

Posing Rhetoric

I’ve put a lot of thought into posing. I prefer to show things as they are, to study expression, energy, and composition as they are presented in nature, and harness them in order to display the beauty of life and nature as it really occurs. Our children are themselves every day without putting any effort into it. This is beautiful! It’s something we all cherish. The phases of nature pass us by, and through portraiture we are able to preserve these moments and experience their beauty for a lifetime.

Embracing nature as it is expressed is an ideal to strive for. But it isn’t the only way to work. There are often situations where the aim is to capture great portraits, but nature’s “poses” are not providing the best expression, energy, and composition for the photographic medium. In this case, a photographer might use what she knows to create a realistic scene that conveys a particular feeling that a person embodies. For example, after spending some time with the two sisters below, I found that they were energetic, happy, and fiercely competitive!  Nature showed me this; I didn’t make it up. I used this knowledge to create a scene that conveyed this aspect of the relationship to the viewer. While this race didn’t occur without direction, it resonated with the girls and led to a fun, vivacious, and authentic portrait.

From Wallace Stevens’ poem entitled Add This to Rhetoric:

“It is posed and it is posed.
But in nature it merely grows.
Stones pose in the falling night;
And beggars dropping to sleep,
They pose themselves and their rags.
Shucks . . . lavender moonlight falls.
The buildings pose in the sky
And, as you paint, the clouds,
Grisaille, impearled, profound,
Pftt . . . In the way you speak
You arrange, the thing is posed,
What in nature merely grows.”

The world we live in cannot truly be portrayed through art. People are who they are, things exist as nature created them. Our portrayals are merely interpretations of reality as we see it. But portrait artists are assigned the task of creating pieces that evoke a recognition and a memory of the gift that nature gave the world, so that you may cherish it forever. Photography is special because it is created by the very light that shines on nature’s gifts. That piece is true to reality and does not need interpretation.

How does a photographer strike a balance between capturing nature as it occurs and controlling the outcome in order to ensure beautiful images? This is a skill that separates the good from the great.